Shamanista, mama, elder, metastatic cancer survivor, SoulCollage® facilitator, Sagittarian in the Ophiuchus window, snake clan, scar clan, and a whole lotta other labels that don’t really contain me.
SPOILER ALERT! THIS REVIEW OFFERS SIGNIFICANT DETAIL OF THE STORYLINE OF FROZEN II.
There’s a running joke in my family about how I see everything as “shamanic.” Perhaps there is some validity to this, as we do tend to see everything through the unique lenses we wear, and mine are unapologetically shamanic. I remember reading that the original Frozen offered a theme of homosexuality, and I didn’t resonate with that at all. So apparently the Frozen saga is in part successful because of it’s ability to speak to grown-up people exactly where they are. This review I offer is entirely shamanic.
Shamanism as a practice and a specific role in the community is defined herein as the bridge between the Spirit world and the material world. More than just accessing alternate realms, the shaman acts as an intermediary in service, and often has direct contact with Spirits, ancestral and otherwise. With a distinctly shamanic consciousness the shaman intentionally accesses the Spirit realm for the benefit of the people the shaman is serving.
In Frozen we learn that Elsa is born with an extraordinary gift, water magick really, in the form of ice. She loses her parents as a child (a shamanic initiation of sorts), and isolates herself as a result. This isolation is in part due to her grief, but more so the result of her grief expressing itself through her uncontrolled magick. She has no control of her emotions, and her innate magick is triggered by her emotions. Elsa unintentionally harms those she loves most because she has no self-control. Elsa’s isolation confuses and frustrates her younger sister Anna, who ultimately grows up alone and parentless.
Anna becomes a mirror of the Wounded Healer, with a compassionate, feminine impulse to nurture, to mother her older sister- the heart. But she has an innocence that seems untouched (or perhaps more healed) by the tragedy of being abandoned by both her parents to death at an early age. Elsa, on the other hand, is significantly traumatized by the death of her parents. As the older sister, the one who will inherit the throne, and the one with an uncontrolled and deadly magick, Elsa is significantly missing mentorship, elderhood, direction, and a sense of belonging. She is left to her own in a deep existential crisis- her very existence threatens to annihilate those she loves most. Anna is all she has left, but being Queen, Elsa is charged with a huge task.
In Frozen II we likely see a circular completion of some type of shamanic initiation. The story starts with what appears to be Elsa’s adjustment to life as Queen. She’s obviously tamed her magick to the degree that she can serve and not cause harm to others. All is well in Arendelle.
But this is quickly challenged as Elsa begins to hear a distant voice. This ‘siren’ who sings to her is persistent and mysterious, and ashamed and confused, Elsa doesn’t tell Anna of what she hears. This singing siren overcomes Elsa to the degree that she can no longer resist the call. By all modern standards Elsa would be diagnosed with some form of psychosis, and her abandon of her responsibility as Queen of Arendelle in order to chase the call heard by no one else might also be diagnosed as an acute manic phase of bipolar disorder. Awoken to the siren’s call and knowing no one else but she hears it, Elsa sings this song as she leaves her sleeping sister behind and forges ahead totally alone into possibly an altered state of consciousness:
(By the way, the lovely and sublimely shamanic individual Aurora offers her vocals to the F2 track as she did for Disney’s Dumbo as well).
It is in this altered state, this psychedelic reality, that Elsa experiences the imagery that will also guide her forward. This imagery comes in the form of symbols- elemental symbols. Symbols are a significant aspect of expressing the unconscious and according to Jung join us all in the vast river of the Collective Unconscious. Armed with these sacred symbols and unable to ignore the persistent siren’s call, Elsa decides to follow the enchanting voice until she locates its' source. A treacherous Hero’s Journey ensues. Voices and imagery that no one else sees or hears, an obsessive compulsion to run headlong into danger- yep, by all psychiatric standards we’d diagnose Elsa with a significant psychotic disorder (likely Schizoaffective, Bipolar Type). It's not uncommon in contemporary, non-animistic cultures to define 'shamanic behavior' through a lens of mental illness.
Accompanied by Anna, her Wounded Healer twin flame, Anna’s hopeless sidekick version of Simon the Cyrene, Kristoff, his
faithful companion Sven the reindeer, and the magickal snowman that everyone loves, Olaf, Elsa uses her intuition and magick to break through the cursed fog wall to get into this mysterious and dangerous forest that she has known since childhood was off-limits. Upon entering the crew encounter an indigenous people who are deeply connected to the land and their own story. These people of fictional Northuldra, the area north of (fictional) Arendelle are likely representative of the Sami people, who are real-life animistic/shamanistic
indigenous reindeer herders of Northern Scandinavia. Disney reportedly was sensitive to the cultural appropriation issues this time around. Interestingly, Kristoff’s clothing in both Frozen and Frozen II lends itself to traditional Sami attire. The crew also encounter a group of Arendellian soldiers, people who have justly and faithfully defended the only people and life Elsa and her crew have ever known- even with swords and to the point of death. A bit of history outlining the animosity between the Northuldrans and the Arendellians ensues and we quickly see the familiar trespass of the colonialist agenda against a native people.
In a magickal encounter in the cursed forest Elsa discovers many Spirits. The four elemental Spirits play an important role. Elsa comes to interact with the unique personalities of each of the Spirits of air, fire, water, and earth. The very basis of shamanism is
working with Spirits. Elsa’s command of ice (water, which we are reminded a few times in F2 holds a memory) is evident. She even rides Nokk, a mythical and shapeshifting water horse. And she seemingly without fear rushes in to tame the out of control fire Spirit, which true to the elementals, is in the form of a salamander. That leaves air and earth, which Elsa also encounters. The earth Spirits are giants and she and then later Anna use them rather effectively to carry out a Frodo-and-the-ring kind of mission that becomes clear as the story unfolds. But there’s a mysterious fifth element that presents itself from that unconscious, pre-knowing place. It exists only in imagery, and it haunts Elsa after she discovers that the four symbols represent the four elementals. This mysterious fifth element is at the center, the one that holds them all in place.
And again, guided exclusively by a singing voice only she and now the tamed fire Spirit can hear, Elsa presses on through dense forest and unusual Spirts, always guided by the siren’s call. It’s interesting that of all the elemental Spirits it is the tamed fire Spirit now in her pocket (the antidote to her potential trigger, which could result in her uncontrolled magick, wherein she uses water to solidify/freeze people into stone like Medusa). Indeed, much of sorcery begins as uncontrolled unconsciousness. But Elsa clearly exhibits more self-mastery in Frozen
II, although her magick occasionally does spontaneously produce some further clues to aid her in this quest to find the source of the haunting song. Anna is not happy that Elsa rushes headlong into danger, as she did when she was taming the fire Spirit. But it appears that in Spirit Elsa finds companionship. While Anna displays unyielding love and commitment, which Elsa needs to carry out her mission, the Spirits understand her in ways the ordinary human cannot. This too is the essence of shamanism- when ‘home’ is felt equally or moreso with Spirit than with the corporeal.
Elsa soon rids herself of Anna and presses on alone- a necessary separation. It becomes clear that the song is coming from Ahtohallan, an uninhabited, dark, and icy island across the Dark Sea. Elsa’s biggest challenge yet- she must cross this Dark Sea alone to get to this dark and mysterious island to uncover the source of this haunting invitation. She is warned by memory of a song her mother sang to her as a young girl, and also by the Northuldran people that she must be careful not to drown at this dangerous island.
Once she arrives at Ahtohallan, Elsa does what she does, and catharts her innermost process through song:
While on the small island Elsa discovers the siren’s song is that of her deceased mother. She is happy to gain a deeper sense
of who she is, which has been strengthening throughout the journey. Ancestral healing, bridging of realms, and continual work with the support of ancestors is also a staple of shamanism. So we are seeing a theme that is consistent with shamanic initiation and practice. While at Ahtohallan Elsa encounters a deep darkness, an abyss that challenges her in, and she accepts without hesitation. This is the pivotal moment of shamanic initiation- the moment when death and
resurrection is imminent. A true shamanic initiation on every level of the thing. This always happens in darkness, in the deepest pit, the underworld. No one but the initiate can attest to it. All the while the Wounded Healer (the twin flame) is simultaneously experiencing her own darkness in the form of a deep cave- again, the cave is so archetypally figurative of the shaman (Michael Harner has a book titled Cave and Cosmos, Sandra Ingerman has a YouTube series with Renee Baribeau called The Shaman’s Cave). This too is an initiation, the moment the wounded becomes the healer. Just as Elsa’s initiation sets her path, Anna’s equally sets her own. Both sisters are irrevocably changed. As Anna gets the courage to come out of the depths of the cave, alone and facing a bleak future, she sings her way out:
Let us not forget that Anna has had a long history of death initiation herself. But the sisters, while separate and unique in
their personalities and behaviors, are also entwined in a symbiotic way. They are like two halves of a shamanic whole- the mage and the wounded healer.
Without the compassion of the wounded healer, the mage is not the shaman, but the sorcerer. This is evidenced by Elsa’s grandfather, King Runeard, who in a vision Elsa hears saying, “Magic makes people feel too powerful... too entitled. It makes them think they can defy the will of a king!” It’s his reason for not trusting the Northuldran people, who know magick and immediately identify Elsa’s ‘gifts’ as such. So Elsa needs Anna as the other half of the shamanic equation. And likewise, Anna is the Samwise Gamgee to Frodo. Anna equally needs Elsa so that she can fulfill her role.
Yet, emerging from the cave alone Anna is clear what she needs to do. All of Arendelle stands in the path. Stepping into her own power, Anna shows she is ready for the leadership role that awaits her. In the third act, without expectation Elsa suddenly emerges and comes to the aid of Anna and all of Arendelle. Anna attributes the saving of Arendelle to Elsa, but Elsa reminds Anna that she too did a great work and that while Elsa may have saved Arendelle, Anna saved Northuldra. Elsa then tells Anna that they together are a bridge- another shamanic reference, as the shaman is considered the bridge between the Spirit world and the material world. In this case it is not just Elsa who is the bridge between the worlds, and Anna who is a bridge with her sister, but together they are a bridge between the past and the present, and between two cultures of people who held a lot of animosity and distrust towards one another. Together they potentially bring multi-leveled healing. And it's interesting that the storyline has Anna serving in Arendelle while Elsa retreats to the Enchanted Forest to live among the Northuldran people- the indigenous, animistic people who understand magick.
While some may not see the clear connection with shamanic initiation in Elsa and Anna's combined stories, one thing is clear about F2: it is full of magick, Spirits, working with Spirits and allying with them, curses and clearing them, ancestral inheritance and clearing, bridging, and animistic, indigenous culture.
A Note About Elsa’s Sexual Orientation
Because Frozen II fits the classic Hero’s Journey it’s not hard to understand why so many people can relate to the story and the storyline is resonant with such diverse subcultures. It’s common knowledge in modern shamanic culture that throughout history many cultures have embraced the queerness of their shamans, including homosexuality and transgenderism. So it's
not as if Elsa is a lesbian and not a shaman, because these aspects of experience and identity are distinct, but they can overlap too and may share a closer relationship (correlation) than other overlapping characteristics. I’m not certain why the LGBTQ community believes Elsa to be a lesbian, as I don’t relate to the story through those lenses. But I would assume that it’s in part due to Elsa’s differentness (queerness), her magickal powers serving as an allegory for non-heterosexual identity. I would also assume it’s because Elsa shows little (if any) interest in men. Neither of these characteristics change in Frozen II. However, it does seem a bit of a stretch to assume magickal powers are allegorical for sexual orientation. I tend to assume that things are as they clearly are in this case- Elsa was born with magickal powers and she has spent her entire life up to our entry into her story learning how to tame them, how to have self-control, and how to wield that kind of power consciously. For many people on a path towards shamanic service the path can be incredibly intense and demanding. It can be like a priesthood of sorts, requiring an unwavering focus. Deep inner work like this can become distracted and derailed by complicated intimate relationships, and we see Elsa even withdrawing frequently from Anna. So I tend to see Elsa not as a lesbian, but as a shamanic individual on an intense path potentially leading to shamanic service. As royalty she's already been conditioned to know her role in life is to be of service, and her magickal ability only defines this service more clearly. The idea of Elsa being a lesbian is not entirely denied by the Directors of F2, but it’s not supported either. Either way, if Elsa is a lesbian this potentially only adds to the likelihood she's a shamanic individual.
Relevant Interesting Facts
There are a few things I’d like to point out about Frozen II, which inform the idea that Elsa and Anna are both shamanic individuals.
First, there is a Norse myth about 'giants', the jötnar. But in particular there is an Icelandic myth that giant trolls would come out of the mountains to hunt at night, and when they were caught by the sun they were turned into stone. The earth Spirits in F2 are giant, grumpy, stony beings. There are several Icelandic stony monuments that legend says were trolls caught by sunlight. And in F2 we know the Northuldra people are known as the “people of the sun.” We also know the Northuldra people represent the Sami people, and recent archaeological discoveries of Iceland suggest the Sami were the first settlers in Iceland. Likewise, the sun’s warmth will melt ice and Elsa, who is the ‘Snow Queen’, just might benefit from leaning into her Northuldran lineage. The Sami, like may animistic, indigenous cultures, have a rich shamanistic tradition. The Sami people are also known for yoiking, which is their unique cultural way of singing. Here are two distinct types of yoiking.
It’s also interesting to note that the Frozen graphical title was all ice, while the Frozen II title seems to be more stony in quality. Perhaps Elsa is getting more earthy? Perhaps she is thawing out? I would be excited to see what a Frozen III might reveal about Elsa's transmutation and continued development.
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The graphic for Frozen II is clearly not a snowflake, as universally snowflakes are six-pointed. All the snowflakes appearing in Frozen were six-pointed. The graphic for F2 shares a striking resemblance to the Vegvisir, the Icelandic/Viking Runic compass. The Huld manuscript indicates of the Vegvisir, "If this sign is carried, one will never lose one’s way in storms or bad
weather, even when the way is not known." The new symbol for F2 looks like a snowflake at first glance, but contains the unique symbols in each of its quadrants (themes of 4). This symbol has multiple representations of 4,
and has 8 points, not six. Obviously each of the 4 symbols represents one of the 4 elements. Some have theorized that the inner design of the 4 elemental symbols can be loosely translated from the Elder Futhark Runes. Symbols often have similarities across cultures, or as in the case of the swastika, can be appropriated and overlaid with entirely different meanings. One intriguing aspect is that the diamond-in-diamond symbol closely resembles the Native American symbol for the medicine man.
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There are a hand-full of questions that I am routinely asked when people learn that I am a shamanic practitioner. The one that can be the most difficult to answer succinctly is how I got on this path in the first place. When I answer by stating that I was initiated in childhood I get a myriad of reactions. For shamans in contemporary cultures it can be difficult to identify the single moment of shamanic initiation. Many people don’t fully understand initiation to begin with, and the process in non-shamanic cultures can be convoluted and difficult to distinguish from circumstantial life experiences. This is what being involved with the
independent and tenacious personality, she fell under his spell and in total we spent nearly five years of our lives under his violence. He perpetrated unspeakable things on me, on my mother. Very disturbing things. If you’ve ever read
carrying out his threats- I watched him intentionally kill a beloved pet with his bare hands. So, not sure if her cries were indication she had been harmed, I peeled my frozen body out of the bed, quickly passed by the black hole the bathroom had become, and eased into her bedroom with trepidation. A soft bedside lamp was the only light in the room. The air was dense, heavy. Mom was sitting on the floor, clutching his arm, confused and distraught. I saw him sitting on the edge of the bed, his body hunched over, his neck contorted in an abnormal, nearly non-human positioning. His eyes were rolled up, only the whites showing. He had foamy saliva smacking in between his lips as he was uttering, mumbling really, incoherent words. It sounded like a foreign language to me, one I was unfamiliar with. Because the words had an intention, a felt meaning, it wasn’t just gibberish. Mumbled, or perhaps strained through this bizarre and altered state of consciousness, but defined sounds that carried a certain quality that told me he was actually saying or trying to say something I just couldn’t understand. Looking back with decades of adult experience, by psychiatric standards this scenario could likely be identified as some type of psychogenic seizure. But as a very young child enduring horrific abuses this looked and felt ominous, malevolent, like some sort of demonic Spirit had taken over my step-father’s body and mind. Why my mother didn’t call an ambulance that night, I don’t know. I suspect she saw little reason to, as his increasingly bizarre behaviors seemed to be attributed to psychiatric disorders. These are things I would never find answers to this side of the veil, as my mother had blocked out nearly all memory of our time with that man. She didn’t recall even having married him (the actual marriage ceremony). It didn’t help that all photo evidence of him was gone. It wasn’t until years after my grandfather died that I was able to find a photo my grandfather had kept in a file of mounting evidence against my step-father. My grandparents had hired a private investigator to help paint a clearer picture of who this man was and why he so consumed my mother’s and my life and so effectively isolated us, turning my mother against her parents.
name as well, and he was very much alive during those years, even though my mother intentionally denied contact with her parents for the entirety of the years we spent with that man. Mom was very descriptive to me about her encounters with this shadowy Spirit named John who would appear to her at the foot of her bed. While I only caught glimpse of an apparition in my peripheral view once in that condominium, mom claimed to have regular encounters and believed John was some sort of guardian, or protector. So it was this heightened awareness of the Spirit realm and our ability to interact with it, witness the effects of it, coupled with the bizarre physical manifestations of my step-father and his brutal and malevolent behaviors towards my mother and me that opened my understanding and relationship with evil, with demons, with Spirits. While I can look back and explain away nearly all of the physical signs I experienced as childhood imagination, naivety, or misunderstanding, to this day I remain convinced that my step-father was demon possessed. I saw it in his eyes. I felt it. And I knew it wanted me dead.
That step-father pursued me psychically for years after. I tried to return to a normal childlike state after that, but was never able to fully achieve it. Innocence was forever lost. Darkness had left it’s bloody handprint around my neck. And my psychic connection was like a downed powerline, whipping around in the wind. It was essential for survival in years prior, but having no consciousness around it, or how to turn it on or off, I had many moments when I would be caught up in the moment of just being a child and he would find me there. Like Danny in The Shining, I would freeze in terror, feeling so powerless and not knowing who to even tell about these inner experiences.
It shouldn’t be surprising that by the time I was 13 years old I was involved with a 21 year old man. In 1988 we married- I was 15, he was 24. I guard details of specific incidents because they potentially serve to rouse malevolent Spirits, can cause secondary trauma, and hint at perceived triggers. I've already offered enough to illustrate the incredible trauma that can come from being initiated into darkness. Besides, a mage worth her salt will always guard close the treasure forged from the prima materia, lest another attempts to profane it and steal away her power. But suffice it to mention that this 9 year marriage was overshadowed by more of the same kinds of abuses I had suffered in early childhood, and some worse. And again, the spiritual overtones of those experiences were loud and clear. Some of the experiences I had in those 9 years were paranormal in ways I had not experienced prior and would not believe myself had I not had the direct experience. And other experiences were just obviously demonic. I learned first-hand what demons can do, how they can read our minds, know our darkest parts and try to trigger us, how they can effect the physical realm in tangible ways, how they can use the human vessel in profane ways, and push it to it’s capacities, how insidious and tricky they can be, and how insatiable their lust and perversions can be. I also learned how they can destroy a human being, in body, mind, and soul, and bring about utter chaos and confusion and even acute psychosis.
It’s easy to make the connection of abuse and trauma with heightened emotions and thus irrationality, and even easier to dismiss the spiritual components of those experiences as hyperbole. But I had multiple adults around me during this time of my first marriage who just caught glimpses of my experiences and who were equally convinced that something of an overt spiritual nature was occurring and the presence was diabolical and destructive. They could see and feel it in my home and even identify particular areas, objects, photographs that contained malevolent energies. Some of them experienced the demons directly. So that validation grounded me, as the non-sensical psychosis about sent me to the brink of psychosis myself. Reality can get challenged when the spiritual manifests in the material, and a certain warping occurs even in the mundane aspects of life. When you live in a constant state of adrenaline that eventually takes its’ toll as well. It’s a slow erosion of mind, of body, of spirit. And even of soul. Many, many people who’ve had these kinds of experiences have not made it through the darkness. Many have succumbed to addiction, suicide, sexual enslavement, or have been given over to become perpetrators themselves.
time as a forensic social worker. My caseload consisted of adults diagnosed with developmental disabilities who had been convicted of violent crimes- murder, rape, pedophilia, arson- and who had been let out of California’s developmental centers and placed in community settings. And while I knew since the time I was 11 years old that I wanted to be a psychologist or psychotherapist, when I started college (five years later) I had already honed that vision specifically into wanting to be a psychological profiler for the FBI. I had many books about the various serial killers under my belt, had read 

Berkowitz, John Wayne Gacy, etc.). And some people will be skeptical and believe that individuals use this claim as an excuse or defense to try to skirt accountability for their own free-will. I’m not here to convince anyone that demons exist or that evil originates from a different realm and perpetrates through humans. Truly my intention here is to share my own shamanic initiation, the first of many faceted initiations, and how that has affected my practice. But when people who have committed such inhumane atrocities as these serial killers have claim to have been tormented by demonic entities, I am a believer because I’ve stared into those soulless eyes, have seen the depth of suffering there, and felt the impulse that drives the insatiable need for more.
labeling. And it runs a high risk of being tainted by projection. Healing from a place of the wound is far more damaging than just leaving well enough alone. But I’ve long contended that the urban shaman, the shaman practicing in contemporary culture needs to have a level of integrity and personal development that exceeds what one would expect from an indigenous shaman in a relatively untouched tradition. When people are living harmonious with the land and with one another they are far less exposed to the darkness. Every culture will have some acknowledgement of it, some myths around it, and some process for dealing with it. But they likely have far less direct experience with it. While in post-industrialized cultures we’re exposed to it constantly, are in positions to be influenced by it, and to also be conduits without ever knowing if we’re not discerning and introspective in our own processing. So when one has been initiated into darkness and directly experienced abuse and trauma, the process of developing discernment is often tangled up with those experiences. Therefore it’s much more imperative for the urban shaman to know thyself than it may be for indigenous, archaic shamans who live in completely different contexts then we are living in.
have a central dogma that dictates belief and ritual, or a central worship of a godhead. It can seem incongruent that one shaman will say he doesn’t believe in demons while another actively does work with these malevolent entities (clearing them). But this really boils down to initiation. A shaman who doesn’t believe in demons likely just hasn’t had direct experiences with demons, as that isn’t his path. But the lack of direct experience doesn’t negate the experience of those who have. In the larger spiritual culture taking shape in contemporary societies this has created a conflict. On one side are those who’ve had direct experience with malevolent spiritual forces. They know the reality of evil firsthand and have experienced the duality. Their experiences have shown them that the darkness is far more than just a solipsistic projection of their own making. On the other are those who have had more mystical experience and have experienced the Oneness, the non-duality that is THE ALL.
spiritual magnitude. My own pain and suffering has been necessary to my path, and I wouldn’t want to deny that same opportunity to anyone. But I also know I surely could have benefited from a corporeal teacher or mentor who might have helped me context my experiences, shown me the alchemical formula for transmuting all that lead quicker, and who would have countered some of that malevolence by speaking love into me. But it tends to go that those initiated into darkness through parental means (in childhood) often also lack the love and healing necessary to transmute those experiences into wisdom and service. We have to go a hard and lonely road with a lack of self-confidence and self-love. It’s no wonder that others who are going through initiatory crisis in the darkness are drawn to me. And I am honored to offer myself in that kind of work. But it just might look a little different than archaic shamanism, and intentionally so. That doesn’t make it less- less powerful, less effective, less shamanic. I rather think it makes me more- more precise in my specific shamanic expression, more aware of how that translates into the culture I am in, and more sensitive in harmonizing my techniques with the individual beliefs and experiences of those who seek my assistance.




such a claim when some expressions of archaic shamanism are strongly tied to deep lineages of ritualized initiation processes. But to make this point clearer, consider that peoples living in tribal cultures often live communally, are subsisting or are living very minimally, live in relative harmony with and are intimate with the ecosystem, and have routinized and simplistic lives. The shared resources and responsibilities potentially lend to far fewer individual stressors. In contemporary, technology-driven, post-industrial cultures people are living isolated and extremely complex lives, where they are continually bombarded by external stimuli and are completely disconnected from their local natural resources. And so for people in remote, tribal cultures the initiatory process can tend to be more contrived, more externally ritualized, based on long-standing tradition, whereas in modern cultures it tends to happen through just living in the complex society. For example, the urban shaman may experience the death initiation through a literal experience of surviving a catastrophic car accident, whereas 
grouping of shamanic ‘gifts.’ But most of these gifts aren’t freely given- they have to be earned. And so a shamanic initiation can look like a literal brush with death, like enduring severe trauma, like having a major accident or suffering a serious illness or disease. It can look like a psychotic break. This is primarily because the role of the shaman is to serve the community as a spiritual mediator between the Spirit world and the material world. This requires the shaman to have one foot in the Spirit realm, and one foot in the material, and the highly tuned skill-set required to be in that role requires a rigorous initiation. In fact, each facet of the shamanic archetype the shaman expresses will have likely resulted from it’s own initiatory process. For example, I identify most with the Wounded Healer and the Initiated Into Darkness facets of the archetype. These each had overlapping but separate initiation processes, and the initiations for those facets involved severe early-childhood traumas. That caused an immediate death- a death of my innocence, death of my unencumbered sense of myself. It catapulted me into the Spirit realm, and in order to survive in the physical I had to develop finely honed skills. It took me decades to do the work of transmuting that into an act of service- of coming into service as a shamanic practitioner. 
Campbell, following the footsteps of Jung, and like many who have, was a 














Shamanism is a role much more than it is a title. It’s an expectation that the individual fulfilling the role will perform certain necessary functions for the community. This is universally true. But in indigenous cultures, cultures perhaps less poisoned by the waters that muddy contemporary societies, there’s a pristine innocence that not only puts the shaman on equal with every other member of the community, it allows the shamanic expression to be far less complicated than it ever can be in modern cultures. This lack of complication may actually be the impetus driving our very high expectations of the modern shaman.
shamanic impulse- are separate. They are often confused, and they do overlap. But they are distinct things. And so, here we are, in the post-modern, post-industrial culture, with all the complexities of government, politics, social structure, the isolation of the nuclear family model, the market economy, and the constant bombardment of information coming at us while trying to make the way for these rising archaic and shamanic impulses in a way that salvages the good, while actively trying to subvert, alchemize, or at the very least recognize the dark matter, the ‘it.’
having an initiatory experience, going through the death, descent, and resurrection (or re-birth) is alone not enough to make one into a shaman. Because, remember, shaman is a role of service. Alchemy is about self-work. It’s about knowing self, doing Shadow work, clearing out debris, and becoming a clean channel, or ‘hollow bone.’ It’s a process of self-actualizing, and is very self-determined. And the difference between shamanism and sorcery is often exactly the difference between whether one has engaged a transmutation process, or not. Some sorcerers are consciously intentional, but many more are not. They are simply acting out of Shadow impulse, not even conscious of it. And so, just like with alchemy, a sorcerer can be either a shamanic individual or not a shamanic individual.
emerged. But keep in mind, this was only a hundred years ago. And while people in contemporary society may only know of Jung with some vague familiarity, and they may know nothing of his theories on the Shadow, the theory itself speaks to an experience that, if correct, transcends all culture.
in the quicksand trap of
probably want to return quickly to his own way of life, which is much freer from all these distractions. But it doesn’t make one any more or less shaman. Different cultures, different expectations. I’m not an anthropologist, nor am I an expert on shamanism, but I imagine the shaman in an indigenous culture that is relatively free of the inherent sorceries that we face, who comes from a strong lineage, this shaman has a very different initiation process than what urban shamans face. In urban shamanism the initiation process is usually surrounded by trauma, some type of abuse or catastrophic event, maybe even a major illness, injury, or near death experience- not brought about by the natural and harmonious relationship with the land, or a direct context of initiation, but through the daily normalcy of human-on-human violence, or the irresponsible actions of others, or even self-harm.





As I dare to broach this difficult subject, the news is flashing images of war, murder and violence across the screen. The media is presenting a lopsided view. Where are our peacemakers? Where are the spiritual leaders? Why isn’t the phenomenal spiritual teacher Eckhart Tolle giving his perspective right alongside painfully non-conscious talking head Ann Coulter? Can we get a spiritual shamanic perspective on these events? Why are we being psychicly bludgeoned by pharmaceutical ads? Why is the answer to violence being portrayed, not with love, but more violence? Who will get us through these confusing and dark times? Where are our shamans?